On Southern Heritage and Reclaiming Alabama

A black man, Chicago. - NARA - 556149
That hat is TOO boss. (Photo credit: Chicago NARA, Wikipedia)

From inside the house, I peer through the mini-blinds at my great-uncles. The folds in their leathery faces do not betray their ages as much as their salt and pepper hair does; black don’t crack, after all. These men survived George Wallace and so they are to be respected.

We are in Houston for my grandmother’s funeral, but they have made Bush country their Alabama backyard, steeping outside in the humidity like they own the air. Like they own themselves. They wear light t-shirts and shorts that just cover the knobs in their knees.

There is something about a man settled in the doorway of a home that whispers familiarity to spirit. Of metal folding chairs serving as makeshift tables for cartons of collards, black-eyed peas, and chicken and dumplings. Jack Daniels sitting pretty and amber near a paint-flecked boot.

The house has no wraparound porch or awning to speak of, but the mouth of the open garage seems just fine for them. It strikes me as country in a good way. The neighborhood is quiet as they sip beer and pretend to watch paint peel off the fence across the street. Houston decelerates in their presence. My uncles are slower than this city of beltways and loops, of megadomes surrounded by skyward steel boxes.

Attempting to block integration at the Univers...
George Wallace attempting to block integration at the University of Alabama. THIS is how I remember Alabama. (Photo credit: Wikipedia)

Occasionally, I hear laughter in guttural bursts through the window. I want to go outside and mine diamonds from the gravel in their voices, but I know: you don’t interrupt a gathering of elders. Especially if you are a girl child. Uncle Lindsey opens the door and surprises me with his gait. He is over 70 but has the kick of mules left in him. He makes himself comfortable on the couch and, in a few short minutes, his chin touches his chest in slumber.

I smile watching him. Easy like Sunday morning, this is the Southern heritage I claim: fabulous laughter, quaint mannerisms. Quite unlike the garish bars on that flag that misrepresents the South I love.

I was raised under the shade of Florida palmettos. I have never been to Brent, Alabama, where my grandmother’s people hail from, where surely there is red clay thick like their blood coursing through me. I confess: I have avoided Alabama in deference to my fear of swinging ropes chafing white into brown necks. But if my great-uncles can embody the beauty of the South without crumbling, then maybe, just maybe, it is time for me to go home. Perhaps my daughter will grow up calling the state by its nickname, Sweet Home Alabama.

Where is your ancestral home? Do you claim it?

Birthdays Was the Worst Days…

… now we sip champagne when we thirsty. – Notorious BIG. Pour, Puffy, Pour.

Yesterday, to paraphrase Ice Cube, was a good day. My post on why R&B is pulling a Sleeping Beauty act was picked for a Freshly Pressed spotlight. (If you stumbled upon my humble little blog due to my WordPress mention, welcome!) I’ve had a great time interacting with people commenting as passionately as me about the current state of R&B music and how Neo-Soul is R&B after it’s had a few Pinot Grigios.

Also in the happy column, I wrote an article for the childbirth advocacy site ImprovingBirth.org. I didn’t formally link to the article, titled “Dignity in Childbirth: A Necessity, Not a Privilege,” but I did post an infographic with a teaser paragraph of how women in labor should not be treated like ketchup bottles. I’ve written quite a bit about childbirth and motherhood in the past few weeks, and I may take a short break from it, unless a different aspect speaks to me. I am, however, glad to lend my voice to raise awareness of verbal abuse during delivery.

More happy? Yes, please. I’m so geeked about blogging regularly (I am a six-month newbie) and improving the site visually. So don’t be alarmed if you see a few changes soon. I initially thought I would have to wait until Christmas to do so, but I may be able to carry out my plan to take over the world plans to commit Reckless Acts of Punctuation as soon as my birthday!

Cue the music! The last smidgen of happiness to share is my birthday in exactly 13 days. I am indeed one of those people who count down to the very second until her birthday arrives. I demand glitter and cake and ice cream and…well…I don’t know what else. I tend to be a quiet birthday girl for all the fuss I make about it. That’s where you all come in. I need ideas! Don’t let me go out like a punk and do something unworthy of my blog title for my big day.

What do you do to celebrate your birthday? No matter how mundane you think your celebration is, I can probably top that. So give it to me!

Derailing Techniques and My Final Thoughts on Scientific American’s Public Statement

I was hoping for a chance to reblog this. I was more than a little hot after learning about DNLee’s experience. Not only is the idea reprehensible that people should be “grateful” for foregoing financial compensation for work; but it is also layered with racist and sexist implications that a professional would slur a black female professional because she exercises her right to not work for free. Because I’m sure, in some aspect of that editor’s life, someone pays him/her to work. Disgusting. Read on, offer her your support.

R&B Isn’t Dead, But It’s Comatose

Marvin Gaye in 1973
I don’t know what’s going on, either, Marvin. We miss your voice. (Photo credit: Wikipedia)

Watching Good Morning America last week, I saw will.i.am and Kelly Clarkson announce the American Music Award nominees for 2013. I should not have been surprised when head shots of Miguel, Robin Thicke, and Justin Timberlake popped up on the screen. But I was, and I tried to shrug the unnameable disappointment off.

R&B/soul is my favorite genre of music. I pride myself in knowing the most obscure of forgotten groups from the 90s (Blaque, anyone?) There are whole swaths of hip-hop albums I’m ignorant of (for several reasons) mainly because I was knee-deep in Sade, Troop, Tony Terry, Peabo Bryson, Jade, En Vogue, and other talented R&B artists. Their music flooded my ears and provided the soundtrack for my formative years.

I’ll just be frank. The racial landscape of R&B looked drastically different then. Occasionally, a white artist broke through like Robin Thicke and Remy Shand, building on a tradition of blue-eyed soul by esteemed artists, (i.e Michael McDonald). I have tremendous respect for all artists who are dedicated to the sound and aesthetic of soul music.

But permit me a moment to mourn the fact that a genre traditionally dominated by black musicians is now legitimately predominately white. This is not a charge of appropriation, despite the controversial allegations of Thicke borrowing liberally from Marvin Gaye’s “Got to Give It Up” for the summer hit “Blurred Lines.” This is a fan complaining.

Timberlake performing at St. Paul, Minnesota, ...
Pop is the new face of R&B (Photo Credit: Wikipedia)

Black R&B is riding on the same runaway train that hip-hop is on. A pattern occurs every two years: an R&B artist gains popularity, rappers take notice, and then said singer features on every new rap single for the next 12 months. It happened with Trey Songz, who featured on 10 rap singles between 2009-2011, but only 2 in 2012-2013. Miguel currently is rap’s golden feature crooner.

Rap bleeds into R&B via phrasing and imagery. Take, for instance, “I Invented Sex,” a wildly popular song where Trey rap-sings, “He ain’t in your world, you can take him off your atlas/ Girl, you on fire can I be the one you match with.” Haha. Clever. But he crams all those words into too-short bars and forces a staccato effect to his singing. Attempts like these to include forced lyricism in songs that have been traditionally well-paced blur the lines (pun intended) between rap and its sultrier cousin. RL from the group Next also noticed this phenomenon.

So where are all the black R&B artists? They’re still out there, but nowhere near as prominent as before. To be sure, the cross-genre popularity of Thicke and Timberlake contributes to their place in the AMA nomination list. Billboard combines the rankings for R&B and Hip-Hop, but a quick scroll shows that there are far more popular hip-hop albums than that of R&B.

As always, the solution is support. I bought Raheem DeVaughn’s September 3 release of A Place Called Loveland, and it’s growing on me. As yesterday’s R&B becomes more of an underground genre, fans will just have to keep their ears closer to the ground for music that brings back that old feeling. Til then, we can only hope R&B wakes up from this coma.